Categories: Enterteiment

Viewers outraged after the TVP gala. “This could not be seen!”

The first edition of ON Air Music Awards, which took place on March 7 in Gliwice, was to be a real revolution on the Polish music scene. < img src = "https://zycie.news/crrops/7e14c9/620x0/1/0/2025/03/08/6ABAE09CJK72GPBPBPTKETKSCMRVT5EUHWXMYJCFHPO.jpg" Alt = "on Air Music Awards 2025, Screen YouTube @tvp" styles = "background-color: rgba (77,81,173,1)" > < p > innovative formula, according to which & oacute; nominations were determined by the number of plays in the radio stations, and the winning of & Oacute; in chosen listeners, was to guarantee honesty and closeness with the audience. Despite the huge interest and participation of the biggest stars, the gala evoked mixed emotions & ndash; From delight to the wave of criticism, which & oacute; ran social media.

< P >It cannot be denied that the cast of the event was impressive. The most popular artists performed on the stage, and the winners of this year's records & d Dawid Kwiatkowski (Artist of the Year), Sanah (artist of the year) and Oskar Cyms (perceived & oacute; j of the year & ndash; & bdquo; all the time & rdquo;). The gala was full of emotions, and the moment of detailed & Agnieszka Chylińska in 30 years of artistic activity was a detailed ~ 60 > < p > However, among the viewers, especially those watching the broadcast on Polish Television, there was a lot of voice in disappointment. The hungry problem turned out to be too loud and noisy audience, especially young people gathered under the stage.

< P > & AMP; BDQUO; It was impossible to watch it on TV. The squeaks of these girls from under the stage are terrible &,

< P > & AMP; BDQUO; too much scream. Blurred text in listening & rdquo; & ndash; viewers wrote in the comments.

< P >The explosion of enthusiasm of the fan & oacute; w, though natural at such events, sometimes exceeded the limits of comfort, detail for & oat < P > Another accusation against on the Air Music Awards was poor sound quality. According to the accounts of many & oacute; b, the sound system was not properly adapted to the hall's acoustics, which hindered the understanding of the text & oacute; in sung songs & oacute; v.

< P > & AMP; BDQO; Technicians failed. In some & oacute; it was difficult to understand what the artists sing & rdquo; & ndash; commented on viewers.

< p > no r & oacute; vocals between the vocalist & oacute; in and the music caused that the part of the concert & oacute; in losing quality, and some & oacute; re. < P >Despite these trips, on Air Music Awards has the potential to become a permanent event inscribed in the calendar of Polish music records. This is the only plebiscite in which the results are determined only by the listeners, not the chapter of the expert & oacute; w or critic & oacute; in musical.

< p > this year's winners are undoubtedly artists who in recent months of Kr & oacute; have been on the charts. Oskar Cyms and Carla Fernandes won the prize in the category & ampquo; the band & oacute; ł/duo of the year & rdquo; and & bdquo; pop & and the eruption influencers &).

< P > The first edition of on Air Music Awards aroused great emotions, but at the same time showed that the organizers must work on several elements. If it is possible to improve the sound system, the way of conducting transmission and ensure better control over the noise among the audience, this gala can become one of the most important musical events in Poland.

< p > despite criticism, the idea of ​​a plebiscite based on the voices of listeners gained many supporters of & oacute; w. If the organizers draw conclusions and make the necessary corrections, subsequent editions may be much better accepted.

< p > Will he Air Music Awards become a new quality on the Polish music market ? or maybe it will remain a one -off experiment ? The future of this event depends on how the organizers will cope with the challenges and whether they will be able to convince the fan & oacute; in that it is worth trusting them for the next years. />< /P > < P >
Natasha Kumar

Natasha Kumar has been a reporter on the news desk since 2018. Before that she wrote about young adolescence and family dynamics for Styles and was the legal affairs correspondent for the Metro desk. Before joining The Times Hub, Natasha Kumar worked as a staff writer at the Village Voice and a freelancer for Newsday, The Wall Street Journal, GQ and Mirabella. To get in touch, contact me through my natasha@thetimeshub.in 1-800-268-7116

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Natasha Kumar

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