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1g an Censorship allegations by Maxime Olivier Moutier | The manuscript was not ready, according to the publishing house - The Times Hub

Censorship allegations by Maxime Olivier Moutier | The manuscript was not ready, according to the publishing house

Censorship allegations by Maxime Olivier Moutier |  The manuscript was not ready, according to the publishing house

Maxime Olivier Moutier had long been aware that there were problematic passages in his text, says XYZ literary director Myriam Caron Belzile, but the publishing house never wanted to end the editorial process that was in run with him. The editor responds to the author, who said on Facebook Monday evening that his next book to be published had been censored.

“The points that stumbled, what it got stuck on at the end, it had been raised from the start, said Mme Caron Belzile. From version to version, from phase to phase, from comments to questions and requests for alterations, it led us to last week with a manuscript still not finished. ”

Writing workshop – Miscellanées, collection of 500 pages that Press could not read, was described as follows in the winter-spring 2021 program of Quai n ° 5: “Free style reflection on themes such as horses, death, Jesus, the Olympic Stadium, dwarfism or plastic bags. Writing workshop, beyond the joy of learning a thousand and one things, will leave us with questions as beautiful as they are impossible: where is the truth, where is the exaggeration? Who expresses himself behind these willingly subversive texts? “

Joined Tuesday, Maxime Olivier Moutier continues to say that “the bone” really arrived only 10 days ago, when he had been working with his editor Tristan Malavoy since the end of the summer. This is where the tone would have changed.

“They told me there were things they could not accept,” he explains. I had to change them or cut them, and I said no because it didn’t suit me anymore. Before that, I had annotations, but I was the one who ultimately decided. As always in edition. ”

Myriam Caron Belzile, for her part, believes that it was the publishing house’s duty to complete the process with the author, who has published a dozen books in 25 years. She believes it was still possible to arrive on time with a final manuscript, even if the book was due out on April 28.

We could even have postponed it for a season if necessary. We never said: ‘we don’t want to publish you anymore’. But the line was clearly put and he was told that as it is, this text does not pass and it must be reworked for real. Maxime said he was no longer tempted, and it was he who decided to end the current editorial process.

Myriam Caron Belzile, literary director of the publishing house XYZ

She also says that it was by reading Maxime Olivier Moutier’s Facebook post on Monday evening that she understood that the links were broken.

“I spoke to him on Tuesday morning. I wanted to confirm what I understood, that is to say that he wanted to terminate his publication contract. It’s not signed yet, but last I heard, he wasn’t interested in continuing editorial support with us. ”

She adds that the discussion was frank and without acrimony, that they spoke of their mutual disappointment and their “difference of views” on what censorship is.

“For us, a publisher who refuses to publish a text as it is is not censoring it. Rather, he is doing his editorial duty. ”

Treatment

By working with an author like Maxime Olivier Moutier, who has a penchant for provocation and who likes to push the limits of art, the publishing house still had to know what it was getting into.

It is true, answers the editor, but before publishing it, “it is necessary to have the deep feeling that each text is completed and successful”. And the more “thorny and complex” the subject, the more it must be treated “with rigor and nuance”.

The problem for her was not so much what was said, nor the choice of the subjects discussed, but rather the way, she explains.

Maxime likes to play with the form of the essay a little offbeat, like, is it he speaking or the voice of the collective unconscious? It has to be successful for it to work, and not just half successful! We have to fully accept the contract, understand the author’s posture, where he is going, and follow him. He failed to convince us that the subject’s treatment was complete.

Myriam Caron Belzile, literary director of the publishing house XYZ

The editor therefore firmly asserts that there is no new editorial policy that has been put in place that would explain a turnaround. No “pact of respect and inclusiveness”, as Maxime Olivier Moutier had mentioned on Monday. But she also points out that sensitivities have changed over the years.

“It’s a human job with subjectivities and sensitivities. And these humans who make it evolve, ask questions that they didn’t ask 10 years ago. But nothing is enshrined in a charter or a pact. ”

If the work with the authors is sometimes difficult, most of the time, we can untie the knots and the result is satisfactory for everyone, also wishes to specify Myriam Caron Belzile.

“Of course this conclusion is sad. That’s a lot of energy spent by a lot of people. Maxime spoke of disappointment, but there are some on our side too. Because besides the things that didn’t work… there were so many things that worked in this manuscript. We would have been happy to publish it. ”

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